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              <text>Master printer Robert Blanton began his career in 1974 at Styria Studio in New York, collaborating with artists on such projects as James Rosenquist’s “F-111”, Robert Rauschenberg’s “Chow Bags” and Roy Lichtenstein’s “Still Lifes”. Five years later Blanton opened his own studio in New York: Brand X Editions.&#13;
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Brand X Editions is dedicated to the fine art of experimental and traditional printmaking, publishing editions by some of the most significant artists of our time.&#13;
&#13;
Understanding that each artist’s goal is unique, and that each project presents its own set of challenges – from physical size and process, to materials, and level of complexity – Brand X Editions’ collaborative approach seeks to resolve these creative tensions, therefore realizing the artist’s ultimate vision for each project.</text>
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                <text>Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1997, 2nd ed. New York: Hudson Hills Press in association with National Gallery of Art, Washington, D.C., 2002.</text>
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              <text>Andy Warhol, Roy Lichtenstein, Larry Rivers, James Rosenquist, Claes Oldenburg, Marisol, Elaine de Kooning, Helen Frankenthaler, Nicholas Krushenick, Alfred Jensen, Janet Fish, Valerie Jaudon, Richard Kalina, Marisol, Richard Anuszkiewicz, Ernest Trova, Alan Jones, Peter Phillips, Gerald Laing</text>
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              <text>Tamarind Master Printer Ernest de Soto started the Collector’s Press Lithography Workshop in 1967 in San Francisco. In 1972, de Soto became a partner in Edition’s Press with José Luis Cuevas. In 1975, de Soto founded his own workshop called the de Soto Workshop, which “is known for specializing in contemporary Latin American and American lithographs, fine prints and etching by some of the best-known Latin American and American artists of our time.”[3]</text>
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                <text>Theresa Engelbrecht</text>
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