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              <text>Master printer Robert Blanton began his career in 1974 at Styria Studio in New York, collaborating with artists on such projects as James Rosenquist’s “F-111”, Robert Rauschenberg’s “Chow Bags” and Roy Lichtenstein’s “Still Lifes”. Five years later Blanton opened his own studio in New York: Brand X Editions.&#13;
&#13;
Brand X Editions is dedicated to the fine art of experimental and traditional printmaking, publishing editions by some of the most significant artists of our time.&#13;
&#13;
Understanding that each artist’s goal is unique, and that each project presents its own set of challenges – from physical size and process, to materials, and level of complexity – Brand X Editions’ collaborative approach seeks to resolve these creative tensions, therefore realizing the artist’s ultimate vision for each project.</text>
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              <text>Metropolitan Museum of Art, NY; the Museum of Modern Art, NY; the Whitney Museum of American Art, NY; the Philadelphia Museum of Art, PA; the San Francisco Museum of Modern Art; the Walker Art Center, MN; the Tate Gallery, London</text>
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                <text>Corlett, Mary Lee. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1997, 2nd ed. New York: Hudson Hills Press in association with National Gallery of Art, Washington, D.C., 2002.</text>
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              <text>SOLO Impression located in Riverdale, Bronx, New York, is a publisher and printer of Fine Art prints and Fabric multiples. The studio has a lithography press and 3 embroidery machines with the capacity for hand printed lithography, woodcut, linoleum cut, pochoir printing and embroidery, including large format inkjet printing.&#13;
&#13;
SOLO Impression was founded in 1975 by Judith Solodkin, the first woman to graduate from the Tamarind Institute as a Master Lithographer. Rodney Doyle continues to add his expertise to SOLO Impression. In addition to publishing, SOLO Impression contracts to print editions for artists and other publishers.&#13;
&#13;
SOLO Impression takes a collaborative approach working closely with the artist to develop their images to their fullest. The printers guide the artist through sometimes unfamiliar territory, acquainting the artist with the multitude of possibilities, suggesting innovative and experimental techniques. On approval by the artist limited editions are printed and documentation provided.&#13;
&#13;
Works published by SOLO Impression have appeared in museums and exhibitions throughout the world, and can be found in private and public collections such as the Museum of Modern Art, the Metropolitan Museum, the Whitney Museum of Fine Art, the New York Public Library Print Collection, the Boston Museum of Fine Arts, the Library of Congress, the National Gallery of Art, the Biblioteque Nationale, and the Tate Gallery to name a few.</text>
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              <text>Ghada Amer, Reza Farkhondeh, Louise Bourgeois, R.M. Fischer, Kent Henricksen, Gilah Hirsch, Beryl Korot, Alan McCollum, Liliana Porter, Elaine Reichek, Kay Rosen, Lynda Benglis, Richard Bosman, Françoise Gilot, Grace Graupe- Pillard, Howard Hodgkin, Joyce Kozloff, Robert Kushner, Christian Marclay, Maya Lin, Whitfield Lovell, Michael Mazur, Betye Saar, Nancy Spero, Richard Tuttle, Andrea Zittel, Sonya Clark, Howardena Pindell, Elaine Reichek, </text>
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              <text>Jacques Mourlot</text>
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                <text>Abigail Shim</text>
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              <text>Terry Allen, Christo, Robert Cottingham, Jim Dine, Vernon Fisher, Sol LeWitt, Claes Oldenburg, Ed Paschke, Philip Pearlstein, Jeanette Pasin-Sloan, Pat Steir, H.C. Westermann, William T. Wiley</text>
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